Some are Just Lost

I picked up the worn copy of what would become my favorite book, not knowing yet the relationship we would have. I read the first page, and by page two knew that this was love. Page seven had me in wonder, page eighty in awe, and page one twenty in tears. I closed it at midnight and marveled it until dawn. I was twelve, and the first chapter book I had ever read was J.R.R. Tolkien’s, The Hobbit.

At fourteen I was required to read it for class and sat mindlessly listening to other readers pick it apart. I knew with surety that their opinions were wrong. This was my book. My world. Only known to me. The hills I had traversed with Bilbo Baggins, the grief that I had mourned, how had so few people seen the journey they traveled? Or had they traveled it? I was judgmental and afraid. I was fourteen, and the only comfort I had was J.R.R Tolkien’s The Hobbit.

At eighteen I watched the old book whither on my mother’s shelf, holding a class schedule in my hand that I wasn’t sure what to do with. Literature looked fun, but I was convinced that math and science were for me. I was convinced that nursing was the only degree. Literature and Culture made nothing in a world full of engineers. I was eighteen and feeling worthless in the presence of J.R.R. Tolkien’s The Hobbit.

Sometime, after I turned twenty, I was writing with fervor. Twenty pages in. Thirty pages in. I didn’t like what I was writing. I didn’t even enjoy writing it. My joints ached, I had a forming migraine. I was hungry, I was tired. Still, I was writing. Peter Jackson’s interpretation of the Two Towers played so numbly in the background that I missed Frodo’s screams as the ring tortured him until he fell. A voice in the tips of my fingers whispered, “We must keep going.” I was twenty, and I did not yet own my own copy of J.R.R. Tolkien’s The Hobbit.

When I was still a child learning how to be twenty, I broke and gave into writing. I had been chasing nursing until even my grades were bowing to my own incompetence and unwillingness to continue down the path. I wrote a long, incoherent piece of nonsense to turn in to a Creative Writing class I was taking for “fun.”

A month later, I was reading it in front of a group of people.

A day after that, I was majoring in writing.

A day after that, I was writing. Writing, and writing. Remembering stories that had gotten me through. Remembering hope that had pushed me to today. Remembering escapes and letting them become new worlds in my mind. I hadn’t realized how long I had been majoring in writing, before it took over me like a chocolate éclair consumes its creamy filling.

A year after that, I was twenty-one, finally, holding my own copy of J.R.R. Tolkien’s The Hobbit.

“Boxcar” by David-Matthew Barnes

A screenplay for a short film

Adapted from the one-act play



The night is providing a false sense of calm.

The hour is late.

Beyond a quiet, remote gas station is a cemetery for trains.

Stillness blankets the train yard. Empty, rusted rail cars litter the space, discarded and long forgotten.

Beyond the perimeter of a broken chain-link fence, the landscape is sparse and the horizon is endless. In the distance, a faint glow and flicker of lights indicates civilization exists in the form of a small town.

From opposite ends of the yard, two young men approach.