Where are the LGBT+ Characters?

Where are the LGBT+ Characters?

How many protagonists can you count off the top of your head that can be labeled as canonly gay, asexual, bisexual, transgender, etc.? It’s hard, isn’t it?

As an avid reader in high school, I found the library’s stock of novels that showcased an LGBT+ protagonist to be almost nonexistent. There were a few books scattered here and there that hinted at it, sure—a non-focus character comes out at the very end, or maybe someone mentions the subject once in the 400 pages of the story. As a closeted gay kid who didn’t know who I was, what I wanted, or who I thought was cute—boys or girls?—it was sometimes hard to find works of fiction that I could completely delve into when all of the main characters were typically straight people. There’s nothing wrong with having straight protagonists; I absolutely adore the protagonists I grew up reading: Harry and Ginny? Love them. Tris and Four? Hell yeah. Katniss and Peeta? Of course! Those characters and their relationships are great, but we are seriously lacking in portraying the spectrum of relationships. The boy gets the girl—but why can’t the boy get the boy, or why does the boy have to get anyone? These romance arcs in stories have become so cookie cutter, copy and paste, that I can’t find joy in reading them anymore.

The sexual orientation of a main character can have a much larger impact on readers than you might think. Take me for example: when I was a young reader, I didn’t know that a relationship could be anything but a boy and a girl. There wasn’t anything else for me to base relationships off of, and I wasn’t exposed to all of the possibilities that are out there. It’s hard to accept and validate your own feelings when every book you read is about one straight couple after another. There’s no message telling kids that it’s okay to be gay, or to not feel comfortable with their born gender, or to just not be into anyone at all.

As a writer and as a member of the LGBT+ community, I want to contribute to filling the gap in diverse relationships found in literature. Because it’s such a niche topic, there are a million and two original stories waiting to be sculpted. I get it, writing these characters can even be hard for people within the LGBT+ community. As a lesbian, I’m afraid of getting it wrong when it comes to asexual or transgender characters. No one wants to misrepresent a culture that is not theirs, so it’s a writer’s responsibility to research these complex topics before putting them on paper. I hope that soon, more and more of these accurate representations will be introduced in the novels to come so that young readers can find characters they are comfortable identifying with.

Mel Blasingame
Mel Blasingame

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